Sunday, January 19, 2020

JONATHAN JONES

Bob Dylan accepts the Nobel Prize
I liked that he spoke about what he read at school. The time he saw Buddy Holly, and the way he made it  sound like he was alone when he wrote it. Like he never had friends, only people he cared about. I liked the way he offered no reminders, and that he didn’t  mention Facebook. I liked  the sense of humor in his voice, and the thought he might be stoned as he read it.
I’ll never be a poet obviously.
I like a street of leaves the best

a line that weaves and saves nine lives
the trouble, where the river glides.
Broad daylight is no judge of taste.
My heart a stitch, best served by lies. 

The moon’s fat mouth some time 
ago made this its Godless claim on me,  
to teach me words first “go” then 
“go”, till no momentum pried 

me free, inelegant and worldly-wise.
We fear to be the stuff of dreams,
that buys us for a modest sum.
I like a street of leaves the best,

a camel train in summer’s heat.
The river glides, a line that weaves
between fast gulps of strangers’ feet,
eyes straining in the foreign light.



Sister Christ


This is me, hot, tired
and half out of my head
on a stretch of summer
afternoon, unaware 

of this old woman of maybe
twenty one or fifty six
with the strong
sweet wine

the colour of apricot
in my used coke bottle.
Shuffle – shuffle,
I murmur to my 

dead eyed dancing feet 
and I cannot
tell if it is the sweetness
or simply the wine 

that tastes like water
having no sense of being
followed, ignored
or sketched out

against the hairspray smell 
of pharmacy.
Voices muttering
in on cell-phones

scratching my beard 
with yellow fingernails.
The only way I could 
tell it was still me 

slurring constant sorrow;
merrily making no
sense, a smeared mascara
my mother’s

way of telling me
I had such pretty eyes
once when there was
only one of me.


*********************copyright Jonathan Jones

Tuesday, January 14, 2020

ETHAN GOFFMAN

abstract.desktopnexus.com Time

“Time ticks away faster than you think.”
“Actually, time doesn’t tick.  It’s clocks that tick.  Time is silent.”
“Or perhaps time is every noise in the world.”

time is an egg
sunny-side up
slipping across
a slick griddle
running, running, running
away

time fries, time dies
time fritters
time flutters
time titters
time stutters

time is linear
time is chaotic
time is everywhere and all things
time is nowhere, man
flowing through its nowhere land

time ain’t on my side
time makes me run and hide
time out of mind
hurry up please, it’s time ***************copyright Ethan Goffman

Monday, January 13, 2020

THE VIEW FROM BARD TOWERS



People have wondered about the origin of the site name Bradlaugh's Finger. Let me see if I can explain.
I sit across the road from the statue of Charles Bradlaugh every day waiting for my bus home. And he's pointing, rather sternly. I found myself beginning to wonder: what's he pointing at? Of course, Bradlaugh was a politician, so the sculptor's intention was probably to show him in mid-oration in the Commons. Who was he? The first to insist on his right to affirm as an atheist when being sworn in at parliament. An advocate for birth control who came within a whisker of prison for publishing a pamphlet on the subject with Annie Besant. A believer in trade unionism, universal suffrage, Irish Home Rule and ending the monarchy. In other words, an extremely pugnacious vocal advocate for every cause likely to get a public figure in trouble in the Nineteenth century. And in Bradlaugh's case, it frequently did. Northampton has a tradition for breeding, or taking to its heart, brilliant, illuminated and sometimes downright curmudgeonly individuals. There was Bradlaugh. Violet Gibson, who shot Mussolini and was thrown into St Andrew's when her only real crime was missing. Lucia Joyce, daughter of James Joyce, incarcerated in the same institution in highly questionable circumstances. She didn't want to live or die in Northampton, but her grave is well-tended by local people. There is Alan Moore too, who did want to stay in Northampton, even after achieving immense fame. There is Norman Adams, scourge of every self-serving morally-bankrupt local government official within a thirty mile radius of Shoe Town. And there are Jimtom James, Jono Bell, King's Gambit, the Brewer's Daughter, the much-missed Denigrata, Extinction Rebellion Northampton.These are some of our people. This is the tradition that I work in when I sit down to write. When I look at the statue of Charles Bradlaugh I prefer to think his extended finger doesn't show him emphasising a point when he speaks in parliament. I want to think he's saying to all of us, 'Well, I'm going in that direction. What about you lot?' And we don't have to go with him, not unless we really want to. His question tells us there might even be a better road to the utopia Bradlaugh is fighting for. We all find our own path using our own logic and reason, our own taste and judgement, and yes, even in these febrile modern times, we can disagree and still be friends. Our site aims to be a place where, however briefly, those paths all cross. Sit down a while. Take your shoes off and rub your blisters. Have a listen to a few new (or new-old) ideas before you continue on your journey. (BH)

Sunday, January 12, 2020

JIMTOM JAMES

jimtom james with bruce hodder at a bedroom tax protest in Northampton a few years ago


:~
On the edge, of the road, At the far reaches,
There is, in some : an
internal
rainbow.
The dreams, of heart
still flow,
faith is foundation.

Better is.
Love threads thro' everything.
If is ignored...

Chaos, where now we be.

Haven't heard from.
Haven't heard, from.
Hardly far, from.

This : no granpa Moses.
Terror. In : tact.

Night nomad.
Roamer.
"In the cold, unfeeling, red-lit streets."
Bless the rain, to wash
away

the humane detritus.
The Magic Bus
Hiatus,
down the plug-hole drains.

With the twirl determined,
by the Equator.

Eternal force.
Non-exploitative.

Black, oil, liquid gold.
Pop all of the bubble-wrap.
All the Eat'ser chocolate,
in one go.

O!, I cry, to the
Alma Mater.
Dramatis
Personae.
Some, fighting : Blood on the Streets;
Car-tune fog bound.
While in private bedrooms,
endemic hurt, goes on...
Amidst all the Clamour,
no-one is known, or heard.

Inuring the individual,
from the individual...
Seconds, time in sand...

Turn About ?
Jimtom...say? 




December 4, 2019.


****************copyright Jimtom James 2019

Jimtom James is a poet, performer, broadcaster and organiser of cultural events like the annual Bardic Picnic. His radio show Jimtom...say? on NLive radio can be heard on alternate Saturdays between 5 and 7pm.

Saturday, January 11, 2020

JOHN PATRICK ROBBINS

Made You Look

Writing is freedom and writers themselves are mainly a group of narcissistic assholes.

Except for you.
I have always thought different of you reading this.

People can say what they will but your one of the good ones.

And why is that? You may question upon reading this.

Because you are the key element that's largely goes ignored and is vastly unappreciated. 

For you are the reader void of bullshit now step back and return to your role of poet.
Now that's the prick I cannot stand and secretly admire.

You clever bastard you.

No egos were hurt in the making of this poem.


To Empty Pages


I have given everything I have to blank pages.
I am left with nothing more than scars and sad stories I no longer care to pen.

There are no true readers.
There are only fellow writers looking to gain something they feel will make them better than the rest.

When you truly get out in the deepest waters you realize.
There are only sharks and you are only one amongst many.

And eventually no matter how hard you swim you will be swallowed up by the dark waters below.

I no longer concern myself with what I can gain.
This is not a contest. 
I pen my lines as a premature epitaph.

And look forward to embracing the frozen depths.

I know these lines are written for only writers to read, and few to understand.

Nobody wins what was never in the cards to begin with.

The well must always run dry.

Empty pages are all that will ever remain. 


************************************copyright John Patrick Robbins 

            
John Patrick Robbins is the editor in chief of the Rye Whiskey Review and Under The Bleachers his work has been published by The San Pedro River Review , Ariel Chart , Oddball Magazine , Punk Noir Magazine,  As It Ought To Be Magazine,  Mojave River Review , Piker Press , Red Fez and The San Antonio Review .He is also the author of A Perverts Christmas from Whiskey City Press and Once Upon A Nervous Breakdown from Soma Publishing. 
His work is always unfiltered.