Dreams of MIT
Last night I dreamed
I returned to work
each summer,
giving up my time
for typing, filing,
never leaving my
metal desk
in case the phone
that never rang
would ever ring.
I appeared like
a ghost of the 90s,
wearing thick nylons,
padded shoulders,
straight skirts,
and knock-off perfume
from Woolworth’s,
things I would
never wear
in the fall.
This time I tell myself
I left this job
over twenty years ago.
I remember the walk
back from lunch
on the last day
at Legal Sea Foods,
my waist band
tight from chocolate
mousse.
My co-workers and I
finally talked
after my three years
of waiting
for the phone
until at Mass Ave.,
I turned right,
not crossing
not saying
goodbye.
goodbye.
*
Barefoot
in Purgatory
The last
time I went out barefoot
white-hot concrete and flecks
of stone stung my feet. Humidity
draped over
my shoulderswhite-hot concrete and flecks
of stone stung my feet. Humidity
like a jacket that had been
a good idea in the morning.
Staggering beneath it,
I watched for shards of glass.
a good idea in the morning.
Staggering beneath it,
I watched for shards of glass.
A frat boy in Air Jordans, young enough
buzzed up and down State Road 26,
killing time until Saturday night
by the river in a city without graffiti.
killing time until Saturday night
by the river in a city without graffiti.
I was killing time as well until Sunday morning
when I could glide across the river
like a ghost once again.
*
At the
Science Fiction Museum
Dust motes
dance like they always have
over the brittle, yellowed paperbacks
that she cracks open. But the sun
no longer streams through the window
Instead, it oozes, leaving a film
on the books and her fingers.
It reminds her of the ocean,
a being that creeps up these streets
in order to take back its territory.
over the brittle, yellowed paperbacks
that she cracks open. But the sun
no longer streams through the window
past plain muslin curtains.
Instead, it oozes, leaving a film
on the books and her fingers.
It reminds her of the ocean,
a being that creeps up these streets
in order to take back its territory.
but finds only themes from the 1960s,
a time of garish colors, simple
shapes, and quick trips
to the moon and back.
a time of garish colors, simple
shapes, and quick trips
to the moon and back.
that speck of foam, that crust.
No one lives there. No one goes
there. No one ever will again.
No one lives there. No one goes
there. No one ever will again.
that creature
that waits for her, this house,
these books, all that will
dissolve in its acid bath.
that waits for her, this house,
these books, all that will
dissolve in its acid bath.
from the ocean, from recycling,
even though they did not
predict this moment, even
though they are merely artifacts.
Because
they are artifactseven though they did not
predict this moment, even
though they are merely artifacts.
like other museums’ bones
and arrowheads, like their
go-go boots and vinyl miniskirts,
she will save them.
and arrowheads, like their
go-go boots and vinyl miniskirts,
she will save them.
*******************copyright Marianne Szlyk
In addition to being a very good poet, Marianne Szlyk runs The Song Is page, which beautifully combines poetry and music. She also teaches at Montgomery College.